As a ceramic artist I rely heavily on my training in craft and education of design thinking. Clay is an accessible material to anyone, but ceramics demands material knowledge and a kind of reverence for history – it is an archival material which has held the activities and dreams of human civilization. I am struck by urboir, remnants of play, authorship, and care of expression and utility.

[Image description: Two gray ceramic pieces are tied to a flat piece of bamboo with sisal rope, behind a white ceramic half circle hangs]

Image credits: Emilia Tanner

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